Nikon Df digital SLR camera
Dial into your creativity with Nikon's manual, full-frame digital SLR
- Full-frame sensor
- Tactile controls
- Light weight
- SD card slot located in battery compartment
Nikon's Df is a pro camera with creative users in mind. The dials, numbers, and overall design of the body hark back to different era, but they provide tactile control that is welcomed in this age of buttons and menus. The sensor is full frame, the speed is good, and the picture quality crisp. Above all, it's fun to use.
Price$ 2,999.00 (AUD)
Buy now (Selling at 2 stores)
The nostalgic styling of the Nikon Df is not only designed to go after people with fond memories of the past; it’s also proclaiming to the world that Nikon has a rich history when it comes to producing cutting-edge cameras for creative users. By putting the latest technology into a throw-back design, it’s relaying this message to a younger generation of photographers who want total control over their photographic creations.
At first glance, the Nikon Df captures your interest because it’s such a busy looking camera. There are dials for almost everything, as well as numbers; plenty of numbers. What do all the numbers mean? What do the dials actually do? If you have to ask yourself these questions, then perhaps this camera isn’t the best choice for you. Though, on the flipside, it may be just what you’re looking for if you want to get a deeper understanding of photography and the relationship between all the settings that can be changed to affect the exposure.
That’s assuming it’s within your budget. It’s a camera that’s mainly designed for professional users who already know what they are doing, but we’re approaching this review from the perspective of a creative enthusiast or aspiring photographer looking to make a step up into a more advanced camera. We're doing this because it’s the type of camera that stands out and offers something different when compared against many other cameras on the market: tactile control.
All the dials and numbers can be intimidating at first, and there isn't a typical mode dial that you can use to just plonk the camera into fully automatic or into scene mode and let the camera figure it all out — that would go against the true nature of the camera. The most you can do is use the ‘MASP’ dial on the right side to select the control mode that suits your needs for your current situation: manual (M), aperture priority (A), shutter priority (S), and program (P) mode.
Across the top, you get an overlaid array of other dials that allow you to conduct the symphony of exposure settings: ISO speed is on the left, along with exposure bias; the right side has the shutter speed, along with a manual switch for changing the drive mode. Another control dial on the rear allows you to change the aperture value of the lens.
When all of these settings come together perfectly, you can produce some magnificent looking pictures. If you struggle to get the results you are after the first time, just keep playing with the dials until you get it right. Or, you can use the aperture priority or shutter priority semi-manual modes to let the camera do part of the work for you. Keep in mind that sometimes photos can look more vibrant or sharper on the rear LCD screen than they might on a monitor. The camera allows you to shoot in RAW mode (and RAW + JPEG), which should be used so that you can then process the photos more easily on your computer to get your desired light levels.
Photos are captured by the Df’s 16-megapixel sensor, which doesn’t offer as many pixels as many other cameras on the market, but it does have a differentiation point: it’s a full-frame sensor. This means that it’s a much bigger sensor than can be found in mainstream digital SLR cameras, which are known to have a ‘crop sensor’ or DX format sensor. The Df’s full-frame sensor is also known as an FX format sensor. It’s a sensor that is bigger in terms of physical size compared to a DX format sensor (36x23.9mm for FX compared to 23.5x15.6mm for DX).
The larger sensor just makes everything look bigger through the viewfinder, and it has other advantages, such as being able to handle light better and not produce as much noise when a high sensitivity to light is used. Combining a high ISO speed while using a lens with a wide aperture and keeping the shutter speed at a reasonably swift level, means you can take photos of dark scenes by hand-holding the camera rather than using a tripod. Of course, you do need a tripod for best results, and especially if you want to allow more light into the sensor by using a long shutter speed, or when you want to capture light trails.
We used the 50mm, f/1.8 kit lens for all of our tests, and the picture quality turned out to be crisp. We used the camera during the day, and also during Sydney’s Vivid light festival, which meant hand-holding the camera while shooting at night. We observed good results down to about 1/30sec shutter speed, though we did have to hold the camera very steady.
Overall, we really like the Nikon Df and the tactile controls that it offers. We had a fun time using it, and we think this is very important: if a camera isn’t fun to use, then it won’t make you want to go out and take photos. With the Nikon Df, you do get a sense of excitement when taking photographs as you wonder what sort of results the settings you’ve dialled into will give you.
How you use the Nikon Df and what sort of end goals you have for your photography will vary, but here are some sample shots from our time with it.
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