There is a wide body, extra controls, and a hinged viewfinder that can be directed upwards. All of these features immediately point to the fact that the Panasonic Lumix DMC-GX8 is for experienced hands, rather than users only now getting their feet wet in photography. It's a 20-megapixel camera that commands the user's attention, and even though it still has scene modes and an intelligent auto function that can do all the work for you, if you make extensive use of those features, then you're better off with a simpler, much less expensive camera.
Digital SLR Cameras
When hopping from a compact camera (or a phone) to a more serious kit for your photography, your best choices are a small, mirrorless camera, or an entry-level digital SLR. Both of these types of cameras give you scope to use different lenses and manual settings, allowing you to more easily learn the ropes when it comes to controlling the way your photos look, giving you creative freedom. For Canon, its EOS 760D digital DLR represents such an entry level camera, and a little more.
Nikon has a nifty camera to offer you if you want something small, yet flexible as far as lens selection and manual controls are concerned. It’s called the Nikon 1 J5, and it’s part of the mirrorless camera surge that’s occurred over the last few years. It isn’t Nikon’s first mirrorless camera (the name J5 is a hint), but it is perhaps its most alluring.
The EOS M3 represents a camera category that tries to do away with bulk and excessive size, offering instead plenty of photographic capability and flexibility in a body that can be more easily transported than a digital SLR. At the same time, it aims to appease existing users of Canon’s digital SLR ecosystem by offering a means to use their digital SLR lenses with the smaller body. Put simply, it’s a versatile camera, and one that we think is a ton of fun to use.
Samsung's NX500 mirrorless camera is a rare unit. It possesses an almost impeccable balance of wonderful picture quality that will please experienced photographers, along with a control layout and menu system that will appeal to users making the leap to a more manual-capable camera.
It may not be a large and bulky digital SLR, but the Olympus OM-D E-M5 Mark II is a heavy hitting camera that's designed especially for those of you who desire advanced controls -- controls of the sort that can tailor almost every single aspect of your photographs before you even transfer them to a computer.
Nikon's glossy, burgundy coloured D3300 digital SLR is for those of you who are just starting your journey into more advanced photography. It's a small unit as far as D-SLRs are concerned, and while it doesn't have the extensive manual controls of a bigger camera, there is still enough there to give you the opportunity to play with exposure settings on your own.
Editorial Director, Mike Gee, took out his new Canon 6D and snapped off this slideshow of the Sydney's alternate 9pm fireworks display - the Manly fireworks show. A very happy and prosperous New Year to you all.
When the original 7D was released five years ago, the message was strong that this was a camera for a photographer (or indeed an adventurer) who wanted fast frame rates at an acceptable price point. With the EOS 7D Mark II, that message is now even stronger, thanks to a faster frame rate and bolstered processing power.
Sydney Airport will be hosting an auction for charity that will feature items of lost property. The airport claims that it has thousands of items to go under the hammer, with the auction period starting tomorrow (Tuesday 4 November) and running until 14 November.
Mirrorless, interchangeable lens cameras from Nikon and Canon haven’t set the world on fire. Products from the likes of Olympus, Fujifilm, Sony, and Panasonic have all made the category a threat to traditional digital SLRs, the market in which Nikon and Canon are strongest, and now the two companies are playing catch-up. Can the Nikon 1 V3 claw back some ground?
Panasonic’s DMC-GH4 is a serious camera that’s designed for the most creative of minds. It’s a Micro Four Thirds-based, interchangeable lens camera that packs not only an excellent ability to capture stills, but also the ability to record ultra-high definition, 4K video. Basically, you can call it a photo/video hybrid.
The Sydney Harbour Bridge is as iconic a symbol of the Harbour City as any. And when it's lit up for Vivid Live 2014 it's a photographer's dream.
Vivid Live 2014 is the biggest, brightest and most involving chapter yet of the festival that invigorates Sydney's late autumn/early winter, each year.
The Tamron SP AF 17-50mm f/2.8 Di II VC is a standard zoom lens designed for primary shooting duties. The lens aims to stand out for its f/2.8 designation, which is a fast, open aperture designed for low light shooting.
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